With two weeks to go...

Here are my thoughts, ideas, sketches and brainwaves in response to For Future Reference... I leave Wales for New York two weeks today. I am so excited to be a part of 'The Loneliness of the Middle Distance Runner' exhibition at Flux Factory. Watch this space for documentation on my New York activity. Artist Freya Dooley will be documenting my work out there. It always helps visually to have an artist assist you, and Freya has a real understanding of my work. I cannot wait to experience New York alongside her and the other Fluxers.

Artes Mundi training at TATE Britain

Things are not only getting mega busy with my practical work, but they are also hotting up in the bread-and-butter aspect of my art practice. I  exist on commissions for my art practice and my work in Contemporary Art education. My latest role will be as Artes Mundi Live Guide, and I will be doing this until January alongside my Gallery Assistant post at Chapter.

I will be giving workshops and discussions for Artes Mundi alongside 6 other great live guides. We will have so much fun delivering our interpretations as a team. The team is made up of artists, curators and educators from Wales. As part of our training we spent the day with TATE Britain's Education team talking through their resources and doing workshops. I feel really inspired as the resources taught me to create my responses as an artist and to approach a workshop exactly as I would an art project. I was really inspired with the TATE's resources, which are free and available to anyone. Again, they reminded me that creativity is paramount to our understanding of art work. I have scanned in this instruction, which is a resource created by the performance artist Alex Schady, to expand on your understanding of the TATE Tanks. It comes with a glow in the dark Arrow headband. This card is also glow in the dark so you can use it in the dark performance art Tanks:

  

Blue Period, Farewell Cardiff

Blue Period

Rehearsal time with the Chad Dembski (left) and Dustin Harvey aka Secret theatre

Blue Period and Farewell Cardiff installation at Chapters Stiwdio

'Blue Period' is a new performance work I have developed to exist within the parameters of secret theatre's Farewell to Cardiff. When the Canadian duo, Chad Dembski and Dustin Harvey approached me to be a part of the theatre work I began thinking about what I would like to say goodbye to, what do I identify as being important to lament or bid a fond farewell to. Living in Splott I have recently seen lots of banners in shop windows, front room windows protesting at Cardiff City football clubs decision to change the team strip. 'Keep Cardiff Blue' is plastered across the city. Sadly, the voices of the supporters has not been listened to and the change from the iconic Bluebird strip into a red one has begun. As a Swan, I cannot comprehend abandoning the black and white strip and familiar black Swans. An emblem, much like the Bluebird for native Cardiffians, that reminds me of home, where I come from, and who I belong to.
Through ritual and action I will say Farewell to the BLUEBIRD..............

Farewell Cardiff takes place on Friday 14th and Saturday the 15th of September 2012 at 8pm, Chapter Arts Centre.
For more information:
http://thefarewellproject.org/about/

http://www.chapter.org/

Sketches and Studies for For Future Reference......

For Future Reference........

PALM + AMETHYST = FUTURE

I am currently making sketches and testing out ideas for my new project. I will be starting this new body of work in New York in October 2012. Flux Factory in Long Island City have invited me to be in a show curated by Sam Perry. My work is based on an experience I had on 10th avenue in October 2007, when I went to have my future told for $10. The psychic sat opposite me and made me hold a piece of amethyst. I was instructed to focus all my energy into it and then hand it back to her. I was sceptical as she sat facing me with her eyes closed as she intensely rubbed this stone....
"You're an artist aren't you?"
"Yes" I replied, shocked that in my conservative jeans and tshirt she could read this.
"You work in perhaps museums or galleries and like to see art. You are currently in love...'

The middle section of the reading was quite generic and I wasn't that surprised or convinced of her ability to read my future. What was said next alarmed me.....

"YOU WILL NEVER BE A MOTHER. YOU ARE TOO SELFISH."

This hit me like a ton of bricks. This mystic being shattered my hopes of a family and targeted a part of my future that I enjoyed dreaming of. On my return to Wales I began the For Future Reference... project and began collecting different accounts of my future.

Whilst in New York I plan to respond to this experience through performance. I also hope to return to that lady, who provided me with a completely different perspective on what my future holds.

  

Review of In Memory of Balloon Girl by critic Lori Waxman, written at documenta 13. Published in Hessische/Niedersächsische Allgemeine (HNA)

60 WRD/MIN ART CRITIC // KASSEL // 060

Kathryn Ashill

At two o’clock in the afternoon on Sunday, the                                     

24th of July 2011, Kathryn Ashill tied dozens of

rainbow-colored balloons to her arms and

jumped out of an old tree in Cathays Cemetery, in

Cardiff, the capital city of Wales. Hers was a

memorial jump—perhaps the first action of its

kind—for a fourteen-year old girl named Louisa

Maud Evans, popularly known as Balloon Girl,

who drowned 115 years prior, after attempting a

daring feat of aeronautics involving a hot-air

balloon and a parachute. Balloon Girl’s ascent

and descent were part of the local Maritime and

Industrial Exhibition, meant to attract a crowd

through the irresistible combination of youthful

bravery and high technology. Ashill’s

performance, by contrast, was knowing in its

pretend innocence, modest in its choice of a

three-meter-high branch, and transparent in its

use of a ladder to climb up and a mattress to land

on safely. (The best of her performance

documentation makes these safety implements

clear.) Ashill’s handmade sailor costume recalled

Balloon Girl’s but also Sailor Moon’s, minus any

crotch shots whatsoever. The tone was purely

Victorian. But the honesty about how children’s

ideas of fantasy and fearlessness can conflict—

sometimes fatally—with those of adults was all

Ashill’s own.

—Lori Waxman 7/2/12 5:58 PM

Um zwei Uhr nachmittags, am Sonntag, den 24. Juli

des Jahres 2011, band sich Kathryn Ashill dutzende von

Ballons in allen Farben des Regenbogens an ihre Arme

und sprang aus einem alten Baum der auf dem Cathays

Friedhof steht, in Cardiff, der Hauptstadt von Wales.

Das war ein Erinnerungssprung – wohl die erste Aktion

dieser Art. Erinnert wurde dabei an das vierzehn Jahre

alte Mädchen Louisa Maud Evans, das allgemein unter

dem Namen Balloon Girl bekannt geworden war.

Hundertfünfzehn Jahre früher war sie ertrunken,

nachdem sie einen aeronautischen Versuch

unternommen hatte, bei dem ein Heißluftballon und

ein Fallschirm eine Rolle spielten. Ballon Girls Aufstieg

und Fall wurden bei der örtlichen Seefahrts- und

Industrieausstellung zum Thema und sollten diejenigen

Menschen anziehen, denen diese unwiderstehlichen

Kombination aus jugendlichem Mut und

Hochtechnologie gefiel. Im Gegensatz dazu war Ashills

Performance, trotz aller vorgeblichen Unschuld, in der

Ausführung gemäßigt, wählte sie doch einen drei

Meter hoch gelegenen Ast, benutzte ein Leiter zum

Hochklettern und hatte eine Matratze vorbereitet, um

weich zu landen. (Auf den Dokumentationsmaterialien

ihrer Performance kann man dies deutlich erkennen.)

Ashills selbst gemachtes Seemannskostüm erinnert

dabei nicht nur an Balloon Girl, sondern auch an Sailor

Moon, allerdings ohne jedes Unter-den-Rock-schielen,

das mit der letzteren verbunden ist. Der Ton der

gesamten Darstellung war vollkommen viktorianisch

gestimmt. Doch die Aufrichtigkeit, mit der Ashill den

Ideen von Kindern begegnete, mit denen diese

manchmal Fantasie und Furchtlosigkeit

zusammenbringen – was zuweilen auch tödlich endet –

war ganz und gar ihre eigene.

Full Steam Ahead!

Exciting Times................

Hello again! I'm breaking the summer silence and will update you on my recent activity.

Documenta 13, Kassel, Germany

Hotel Europa: Sunny Beach
an excursion by Random People

Immediately after making Cock[le] Pit for Adain Avion, I set sail in an actual aeroplane for DOCUMENTA 13 in Kassel, Germany. Documenta festival engulfs this city in contemporary art. It was invigorating to see so much exciting work by a variety of international artists. Personal highlights were sound works by Janet Cardiff, a drawing installation by Tacita Dean and all of Ryan Gander's pieces. Whilst in Germany we caught up with artist friends in Hamburg. Random People's Esther and Dan have regularly exhibited at Experimentica in Cardiff and will return to make new work for this festival next November. Visiting their artist studio in the heart of Hamburg was a treat- being allowed into artist's personal space is a privilege. It will be a joy to see them and their work again.

It is full steam ahead over the next few months. Here's some information on what projects I will be working on...........

Farewell Cardiff by Secret Theatre, 2011

The Farewell Project: Collaborating with Secret Theatre

September 14/15 2012, Chapter Art Centre, Cardiff, UK

THE FAREWELL PROJECT is a goodbye party specifically made for a city. It is created and performed by Chad Dembski and Dustin Harvey. This duo from Canada first performed a farewell for Cardiff at last year's Experimentica 1.1. I am honoured to be contributing research, ideas and being involved in their performance process. It is great to be commissioned by them to respond to Cardiff and its history. I plan to bring my own perspective on the Capitol City of Wales to the table. Join us for the performances at Chapter, Cardiff in September.

For Future Reference, Residency at Flux Factory NYC

October 2012, Flux Factory, Long Island NYC. This project is supported by Wales Arts International

For Future Reference is a new body of work I am developing that aims to collect and archive a variety of predictions about my future. These examples of my future will be collected through visiting psychics, palmists, tarot readers and astrologers. This project idea stems directly from an experience on a trip to New York in 2007. Whilst on holiday there I visited a psychic and her prediction was alarming to me. This spurred me to investigate as many different narratives on my future as possible. I visited psychics in Wales and videoed the sessions. Each psychic had such different and confusing narratives of my future and what will happen to me. I will be using my time in New York to revisit that psychic and to create a site specific performance in response to this.

Flux Factory have invited me to be in an exhibition of Welsh and New York based artist's which is curated by Sam Perry. Watch this space!

For Future Reference: Mother Time Performance

Day of the Dead 2012 (1/11/2012), 13:05 National Museum of Wales, Cardiff UK

I have been commissioned alongside other local artists and musicians to make a new responsive work about an artist in this years Artes Mundi 5. This will be performed at the museum as part of the weekly context programme every Thursday throughout the exhibition. I will be exploring the day of the dead, the future, time and some of the themes within Teresa Magolles work.

Matt Cook

Experimentica 2012: Unseen

21st-25th of November, Chapter Art Centre, Cardiff UK

Artist Sam Hasler and myself have been invited to deliver the contextual programme for the annual Performance art festival Experimentica. We will be organising events and happenings that explore the themes in the work of the other artists and the festival. Information on this will be available in the Chapter Guide.

LINKS:

• Documenta: http://d13.documenta.de/
• Random People:http://www.random-people.net/
• The Farewell Project:http://thefarewellproject.org/about/
• Flux Factory:http://www.fluxfactory.org/
• Sam Perry:http://themiddledistancerunnerdot.wordpress.com/
• Artes Munid 5:http://www.artesmundi.org/
• Experimentica 2012: Unseen:http://www.chapter.org/26498.html