tag:blogger.com,1999:blog-87796113848697510932024-03-19T03:13:49.441+00:00Kathryn AshillKathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.comBlogger143125tag:blogger.com,1999:blog-8779611384869751093.post-64660136492513820672021-05-20T21:14:00.000+01:002021-05-20T21:14:09.060+01:00Sir Leslie Joseph Young Artist Award: Kathryn Ashill, Fools Gold Saturday 26 May 2021 - Sunday 27 June 2021 11:00 am - 4:00 pm<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V4BtDRNz2VEoEVFS-ehmsf2zWdUy_YkADH_3vQ2_BeRunA7Z-NrSESloiz5cHfwfmdyucLCdWEvxo7-WKtNrcWSxbHbiltDz9o_91UYxCd1tugfR-Dk21LebcemJDEMffUGvEXyAUa0/s756/Kath_Dad_FoolsGold_Still_2020_forweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="425" data-original-width="756" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V4BtDRNz2VEoEVFS-ehmsf2zWdUy_YkADH_3vQ2_BeRunA7Z-NrSESloiz5cHfwfmdyucLCdWEvxo7-WKtNrcWSxbHbiltDz9o_91UYxCd1tugfR-Dk21LebcemJDEMffUGvEXyAUa0/w640-h360/Kath_Dad_FoolsGold_Still_2020_forweb.jpg" width="640" /></a></div><br /><p>FOOLS GOLD, Kathryn Ashill 2021</p><p>Fools Gold by Kathryn Ashill is her first exhibition in a public art gallery, and is the result of the Sir Leslie Joseph Young Artist Award, administered by the Friends of Glynn Vivian. The biennial award is open to young artists throughout the UK who have undertaken part of their education in Wales, and offers an excellent opportunity for an emerging artist to have their first solo exhibition in a public gallery.</p><p><br /></p><p>Fools Gold is a video installation, which explores the artist’s paternal history. Ashill’s father would collect her Iron Pyrites (fools gold) from a surface mine near their home deep in the Tawe Valleys, South Wales. The work moves between this autobiographical narrative and the history of the Louis XIV, nicknamed the Sun King after he danced for courtiers and forced them to worship him, whilst he was dressed head to toe in gold.</p><p><br /></p><p>Amateur dramatics, the Drag King scene and autobiography are recurring themes in Ashill’s work, which she uses to explore and navigate gender identity.</p><p><br /></p><p>Funny and playful, Ashill uses the do-it-yourself aesthetics of amateur dramatics to create costumes and ‘sets’ in which she performs as both her father and also as the Sun King. In the exhibition, we enter into a homemade cave created from painted theatre flats drawing us into the central film installation.</p><p><br /></p><p>The exhibition also includes a new artist book with commissioned art works by Tanad Aaron, Cian Donnelly, Rowan Lear and Fern Thomas.</p><p><br /></p><p>Kathryn Ashill said ‘Winning the Sir Leslie Joseph Young Artist Award gives me the opportunity to occupy and claim space beyond the live performance. Having been raised in Swansea, the Glynn Vivian has played a significant role in my introduction to contemporary art. Accessing the gallery through education in the late 80’s and early 90’s sparked a lifelong commitment to art-making and becoming an artist. I’ve shown nationally and internationally in a broad-ranging career but exhibiting at the Glynn Vivian is the realisation of a lifelong dream. This is the homecoming of all homecomings!</p><p><br /></p><p>Selector, Lizzie Lloyd said, “Kathryn’s proposal for the Leslie Joseph Award was fresh, fearless, and downright funny – she has the potential to do something really exciting with Glynn Vivian.”</p><p><br /></p><p>Kay Renfrew of the Friends of Glynn Vivian said, “The Leslie Joseph Award is a great opportunity to bring a young Welsh artist to a wider audience, and to give them the experience of exhibiting at a prestigious gallery, working with an established exhibition officer and curator. The Friends are delighted to support the prize and we are sure that Kathryn Ashill will create an exciting exhibition.”</p><p><br /></p><p>Sir Leslie Joseph Young Artist Award</p><p>The Award is funded by a generous legacy from the estate of the late Sir Leslie Joseph and is administered by the Friends of the Glynn Vivian Art Gallery. Previous award winners include Daniel Mulloy, James Donovan, Will Nash, Tomas Lewis, Richard Monahan and Heather Phillipson.</p><p><br /></p><p>Kathryn Ashill – Brief Biography</p><p>Kathryn Ashill (born in Swansea, 1983) lives and works in Barry Island. Ashill obtained BA Hons. Fine Art Combined Media at Swansea Metropolitan University (now UWTSD) and holds an MFA from Glasgow School of Art, and has shown both nationally and internationally. Ashill is a current practice based PhD candidate at the University of Manchester, where she is researching the potential of inter species collaboration in both performance art making and bio therapy. This research is funded by the Wellcome Trust.</p><p><br /></p><p>Selectors Biography</p><p>Lizzie Lloyd</p><p>Brought up in Swansea, Lizzie Lloyd is an art writer and historian. She lectures in Fine Art and Art and Visual Culture at University of the West of England. Her texts have been commissioned by Plymouth College of Art, Phoenix (Exeter), Hestercombe Gallery (Taunton), UH Galleries (Hatfield). She recently contributed to a Cubitt Education Community Studios project (London). Her writing has appeared in publications including Art Monthly, Journal of Contemporary Painting and artnet. She was writer-in-residence at Arnolfini (2016) and Plymouth (2017). She has just completed her doctoral thesis on Art Writing and Subjectivity at University of Bristol.</p><p><br /></p><p>Zehra Jumabhoy</p><p> is a UK-based art critic, curator and art historian specialising in modern & contemporary art. She was the Steven and Elena Heinz Scholar at the Courtauld Institute of Art, London, where she completed her doctorate on contemporary Indian art and nationalism and is currently an Associate Lecturer. Her book, The Empire Strikes Back: Indian Art Today, was published by Random House, London, in 2010.</p><p><br /></p>Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-65993928529056889322020-08-03T23:41:00.000+01:002020-08-03T23:41:17.450+01:00Henry Moore Foundation Artists Award Scheme<div class="lede" style="background-color: white; box-sizing: border-box; color: #333333; font-family: Arial, sans-serif; outline: none !important; width: 660px;">
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The Henry Moore Foundation has shown its on-going commitment to the future of sculpture with the announcement of its new Artist Award Scheme. As a response to the pressures brought about by the current Covid-19 pandemic, the Foundation has allocated more than £60,000 of funding and resources to directly assist 40 artists at a time when other sources of income might no longer be available.</div>
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James Clarkson, <em style="box-sizing: border-box; outline: none !important;">Drop Box</em>, 2019, laser cut formed mild steel, powder coated</div>
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<img alt="Jasleen Kaur" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/jasleen-kaur.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Jasleen Kaur, <em style="box-sizing: border-box; outline: none !important;">He walked like he owned himself</em>, 2018, tracksuit with deconstructed Sikh Khanda on embroidered stripe</div>
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Photo: Malcolm Cochrane</div>
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Jill McKnight, <em style="box-sizing: border-box; outline: none !important;">In The Balance: The Administrator and the Writer</em></div>
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Joanne Masding, <em style="box-sizing: border-box; outline: none !important;">In the Peaceful Dome</em>, 2017</div>
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© Brian Roberts</div>
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<img alt="Kathryn Ashill" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/kathryn-ashill.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Kathryn Ashill, <em style="box-sizing: border-box; outline: none !important;">Fools Gold (Screentest)</em>, 2020</div>
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<img alt="Katie Schwab" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/katie-schwab.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Katie Schwab, <em style="box-sizing: border-box; outline: none !important;">A Working Building</em>, 2019</div>
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Photo: Andy Ford</div>
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<img alt="Leo Fitzmaurice" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/leo-fitzmaurice.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Leo Fitzmaurice, <em style="box-sizing: border-box; outline: none !important;">Stiff</em>, 2020, enamel on cast bronze</div>
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Courtesy The Sunday Painter & Contemporary Sculpture Fulmer</div>
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<img alt="Liam Fallon" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/liam-fallon.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Liam Fallon, <em style="box-sizing: border-box; outline: none !important;">Handstand (English Rose)</em>, 2020, jesmonite, polyurethane foam, MDF, paint</div>
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Image courtesy the artist</div>
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<img alt="Lilah Fowler" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/lilah-fowler.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Lilah Fowler, installation view of <em style="box-sizing: border-box; outline: none !important;">Code Clay, Data Dirt</em> at Firstsite, Colchester 2019</div>
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Image courtesy the artist</div>
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<img alt="Lindsey Mendick" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/lindsey-mendick.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Lindsey Mendick, <em style="box-sizing: border-box; outline: none !important;">The Yellow Wallpaper</em>, 2020</div>
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Image courtesy the artist</div>
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<img alt="Louise Barrington" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/louise-barrington.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Louise Barrington</div>
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Image courtesy the artist</div>
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<img alt="Madeleine Pledge" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/madeleine-pledge.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Madeleine Pledge, <em style="box-sizing: border-box; outline: none !important;">Stretch</em>, 2019</div>
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Photo: Edward Bishop</div>
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<img alt="Nick Gordon" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/nicholas-gordon.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Nick Gordon, <em style="box-sizing: border-box; outline: none !important;">Luminous Place</em></div>
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Photo: Grant Anderson</div>
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<img alt="Nicola Ellis" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/nicola-ellis.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Nicola Ellis, <em style="box-sizing: border-box; outline: none !important;">5 Panels in Ritherdon Mix Grey</em>, mild steel sheet metal covered in 'Dead Powder'</div>
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Photo: Jules Lister</div>
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<img alt="Rachal Bradley" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/rachal-bradley.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Rachal Bradley, <em style="box-sizing: border-box; outline: none !important;">Untitled (black)</em>, 2020, acrylic sheet, metal components, conservator's adhesive tape, metal filing cabinet, rubber seal, wood, magnets, adrenal stress diagnostic test, Borago officinalis, Eleutherococcus senticosus, Glycyrrhiza glabra, Passiflora incarnata, Withania somnifera, Rosa Damascena</div>
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Image courtesy of Galerie Gregor Staiger and the artist</div>
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<img alt="Stuart Whipps" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/stuart-whipps.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Stuart Whipps, installation view of <em style="box-sizing: border-box; outline: none !important;">Reflections on the Death of a Procupine [sic]</em> at UH Arts, University of Hertfordshire</div>
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© Rob Harris</div>
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<img alt="Aaron McPeake" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/aaron-mcpeake.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Aaron McPeake, <em style="box-sizing: border-box; outline: none !important;">Integrity</em>, 2019, interactive sound sculpture</div>
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Image courtesy the artist</div>
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<img alt="Alberta Whittle" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alberta-whittle.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alberta Whittle, installation view of <em style="box-sizing: border-box; outline: none !important;">How flexible can we make the mouth</em> at Dundee Contemporary Art</div>
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Photo: Ruth Clark</div>
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<img alt="Alexander Duncan" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alexander-duncan.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alexander Duncan, <em style="box-sizing: border-box; outline: none !important;">like swimming</em>, 2015, concrete, pigment</div>
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Image courtesy the artist</div>
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<img alt="Alex Frost" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alex-frost.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alex Frost, <em style="box-sizing: border-box; outline: none !important;">Smoked Salmon and Soft Cream Cheese on BrownBread, No Mayo (Waitrose)/ Prawn Mayonnaise on Brown Bread (Tesco)</em>, 2017, ClearCast polyester resin, sandwiches and mirrored acrylic sheet</div>
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Photo: Olli Mammick</div>
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<img alt="Anna Berry" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/anna-berry.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Anna Berry, <em style="box-sizing: border-box; outline: none !important;">Breathing Room</em></div>
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Image courtesy the artist</div>
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<img alt="Anne Vibeke Mou" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/anne-vibeke-mou.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Anne Vibeke Mou, <em style="box-sizing: border-box; outline: none !important;">a story of its own telling</em>, 2018-19, Waldglas combining potash extracted from trees with fossils from the Gilboa Fossil Forest in the Catskills, NY, USA</div>
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Photo: John McKenzie</div>
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<img alt="Appau Jnr Boakye-Yiadom" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/appau-jnr-boakye-yiadom.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Appau Jnr Boakye-Yiadom</div>
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Image courtesy the artist</div>
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<img alt="Ashley Holmes" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/ashley-holmes.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Ashley Holmes, <em style="box-sizing: border-box; outline: none !important;">Double 6</em>, collaborative performance with R.I.P. Germain at former Court Room of Leeds Town Hall</div>
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Courtesy of Poor Image Projects & Index Festival. Photo: Jules Lister</div>
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<img alt="Becky Beasley" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/becky-beasley.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Becky Beasley, installation view of <em style="box-sizing: border-box; outline: none !important;">A Gentle Man</em>, 80WSE Gallery, NYU, New York</div>
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Courtesy the artist, Plan B Gallery & Francesca Minini Gallery</div>
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<img alt="Charlotte Dawson" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/charlotte-dawson.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Charlotte Dawson, <em style="box-sizing: border-box; outline: none !important;">Under-side, Under-stood</em>, 2020, MDF, Jesmonite, textured wallpaper, spray paint, printed matter</div>
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Image courtesy the artist</div>
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<img alt="David Kefford" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/david-kefford.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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David Kefford, <em style="box-sizing: border-box; outline: none !important;">Personal Artifact</em>, 2019, mixed media / plaster casts, found objects, household paint, varnish</div>
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Photo: David Kefford</div>
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<img alt="Dominique White" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/dominique-white.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Dominique White, <em style="box-sizing: border-box; outline: none !important;">Fugitive of the State(less)</em>, 2019</div>
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Courtesy VEDA Firenze and the artist. Photo: Jacopo Menzani</div>
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<a href="http://www.henry-moore.org/gallery/article/571/13" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Emily Hesse" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/emily-hesse.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
<div class="description" style="box-sizing: border-box; color: #999999; font-family: arial, sans-serif; line-height: 20px; outline: none !important; padding: 0px !important;">
Emily Hesse, <em style="box-sizing: border-box; outline: none !important;">The Old Wife</em>, 2019</div>
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Image courtesy the artist</div>
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<a href="http://www.henry-moore.org/gallery/article/571/14" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Flora Parrott" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/flora-parrott.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
<div class="description" style="box-sizing: border-box; color: #999999; font-family: arial, sans-serif; line-height: 20px; outline: none !important; padding: 0px !important;">
Flora Parrott in collaboration with writer Lindiwe Matshikiza, <em style="box-sizing: border-box; outline: none !important;">I'm In The Bath On All Fours</em></div>
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Image courtesy the artist</div>
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<a href="http://www.henry-moore.org/gallery/article/571/15" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Hetain Patel" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/hetain-patel.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
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Hetain Patel, <em style="box-sizing: border-box; outline: none !important;">Plastic Dreams - Ironhide</em>, 2020, plastic Transformer figure, acrylic paint</div>
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Image courtesy the artist</div>
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<a href="http://www.henry-moore.org/gallery/article/571/16" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="James Clarkson" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/james-clarkson.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
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James Clarkson, <em style="box-sizing: border-box; outline: none !important;">Drop Box</em>, 2019, laser cut formed mild steel, powder coated</div>
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Image courtesy the artist</div>
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<a href="http://www.henry-moore.org/gallery/article/571/17" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Jasleen Kaur" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/jasleen-kaur.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
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Jasleen Kaur, <em style="box-sizing: border-box; outline: none !important;">He walked like he owned himself</em>, 2018, tracksuit with deconstructed Sikh Khanda on embroidered stripe</div>
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Photo: Malcolm Cochrane</div>
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<a href="http://www.henry-moore.org/gallery/article/571/18" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Jill McKnight" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/jill-mcknight.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
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Jill McKnight, <em style="box-sizing: border-box; outline: none !important;">In The Balance: The Administrator and the Writer</em></div>
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Image courtesy the artist</div>
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<img alt="Joanne Masding" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/joanne-masding.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Joanne Masding, <em style="box-sizing: border-box; outline: none !important;">In the Peaceful Dome</em>, 2017</div>
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© Brian Roberts</div>
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<div class="text-center image" style="background: rgb(245, 242, 239); box-sizing: border-box; color: #999999; font-family: arial, sans-serif; height: 590px; line-height: 20px; outline: none !important; overflow: hidden; padding: 0px !important; position: relative; text-align: center !important; width: 880px;">
<img alt="Kathryn Ashill" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/kathryn-ashill.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
<div class="description" style="box-sizing: border-box; color: #999999; font-family: arial, sans-serif; line-height: 20px; outline: none !important; padding: 0px !important;">
Kathryn Ashill, <em style="box-sizing: border-box; outline: none !important;">Fools Gold (Screentest)</em>, 2020</div>
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Image courtesy the artist</div>
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<div class="text-center image" style="background: rgb(245, 242, 239); box-sizing: border-box; color: #999999; font-family: arial, sans-serif; height: 590px; line-height: 20px; outline: none !important; overflow: hidden; padding: 0px !important; position: relative; text-align: center !important; width: 880px;">
<img alt="Katie Schwab" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/katie-schwab.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
<div class="description" style="box-sizing: border-box; color: #999999; font-family: arial, sans-serif; line-height: 20px; outline: none !important; padding: 0px !important;">
Katie Schwab, <em style="box-sizing: border-box; outline: none !important;">A Working Building</em>, 2019</div>
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Photo: Andy Ford</div>
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<div class="text-center image" style="background: rgb(245, 242, 239); box-sizing: border-box; color: #999999; font-family: arial, sans-serif; height: 590px; line-height: 20px; outline: none !important; overflow: hidden; padding: 0px !important; position: relative; text-align: center !important; width: 880px;">
<img alt="Leo Fitzmaurice" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/leo-fitzmaurice.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
<div class="details" style="box-sizing: border-box; height: 96px; outline: none !important; padding-top: 20px; position: relative;">
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Leo Fitzmaurice, <em style="box-sizing: border-box; outline: none !important;">Stiff</em>, 2020, enamel on cast bronze</div>
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Courtesy The Sunday Painter & Contemporary Sculpture Fulmer</div>
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<img alt="Liam Fallon" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/liam-fallon.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Liam Fallon, <em style="box-sizing: border-box; outline: none !important;">Handstand (English Rose)</em>, 2020, jesmonite, polyurethane foam, MDF, paint</div>
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Image courtesy the artist</div>
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<img alt="Lilah Fowler" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/lilah-fowler.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Lilah Fowler, installation view of <em style="box-sizing: border-box; outline: none !important;">Code Clay, Data Dirt</em> at Firstsite, Colchester 2019</div>
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Image courtesy the artist</div>
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<a href="http://www.henry-moore.org/gallery/article/571/25" style="background-color: transparent; box-sizing: border-box; color: #337ab7; height: 100%; outline: none !important; position: relative; text-decoration-line: none; transition: all 0.15s ease-in 0s; width: 100%;"></a></div>
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<img alt="Lindsey Mendick" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/lindsey-mendick.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Lindsey Mendick, <em style="box-sizing: border-box; outline: none !important;">The Yellow Wallpaper</em>, 2020</div>
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Image courtesy the artist</div>
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<img alt="Louise Barrington" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/louise-barrington.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Louise Barrington</div>
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Image courtesy the artist</div>
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<img alt="Madeleine Pledge" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/madeleine-pledge.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Madeleine Pledge, <em style="box-sizing: border-box; outline: none !important;">Stretch</em>, 2019</div>
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Photo: Edward Bishop</div>
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<img alt="Nick Gordon" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/nicholas-gordon.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Nick Gordon, <em style="box-sizing: border-box; outline: none !important;">Luminous Place</em></div>
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Photo: Grant Anderson</div>
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<img alt="Nicola Ellis" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/nicola-ellis.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Nicola Ellis, <em style="box-sizing: border-box; outline: none !important;">5 Panels in Ritherdon Mix Grey</em>, mild steel sheet metal covered in 'Dead Powder'</div>
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Photo: Jules Lister</div>
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<img alt="Rachal Bradley" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/rachal-bradley.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Rachal Bradley, <em style="box-sizing: border-box; outline: none !important;">Untitled (black)</em>, 2020, acrylic sheet, metal components, conservator's adhesive tape, metal filing cabinet, rubber seal, wood, magnets, adrenal stress diagnostic test, Borago officinalis, Eleutherococcus senticosus, Glycyrrhiza glabra, Passiflora incarnata, Withania somnifera, Rosa Damascena</div>
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Image courtesy of Galerie Gregor Staiger and the artist</div>
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<img alt="Stuart Whipps" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/stuart-whipps.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Stuart Whipps, installation view of <em style="box-sizing: border-box; outline: none !important;">Reflections on the Death of a Procupine [sic]</em> at UH Arts, University of Hertfordshire</div>
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© Rob Harris</div>
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<img alt="Aaron McPeake" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/aaron-mcpeake.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Aaron McPeake, <em style="box-sizing: border-box; outline: none !important;">Integrity</em>, 2019, interactive sound sculpture</div>
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Image courtesy the artist</div>
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<img alt="Alberta Whittle" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alberta-whittle.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alberta Whittle, installation view of <em style="box-sizing: border-box; outline: none !important;">How flexible can we make the mouth</em> at Dundee Contemporary Art</div>
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Photo: Ruth Clark</div>
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<img alt="Alexander Duncan" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alexander-duncan.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alexander Duncan, <em style="box-sizing: border-box; outline: none !important;">like swimming</em>, 2015, concrete, pigment</div>
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Image courtesy the artist</div>
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<img alt="Alex Frost" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/alex-frost.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Alex Frost, <em style="box-sizing: border-box; outline: none !important;">Smoked Salmon and Soft Cream Cheese on BrownBread, No Mayo (Waitrose)/ Prawn Mayonnaise on Brown Bread (Tesco)</em>, 2017, ClearCast polyester resin, sandwiches and mirrored acrylic sheet</div>
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Photo: Olli Mammick</div>
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<img alt="Anna Berry" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/anna-berry.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Anna Berry, <em style="box-sizing: border-box; outline: none !important;">Breathing Room</em></div>
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Image courtesy the artist</div>
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<img alt="Anne Vibeke Mou" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/anne-vibeke-mou.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Anne Vibeke Mou, <em style="box-sizing: border-box; outline: none !important;">a story of its own telling</em>, 2018-19, Waldglas combining potash extracted from trees with fossils from the Gilboa Fossil Forest in the Catskills, NY, USA</div>
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Photo: John McKenzie</div>
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<img alt="Appau Jnr Boakye-Yiadom" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/appau-jnr-boakye-yiadom.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Appau Jnr Boakye-Yiadom</div>
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Image courtesy the artist</div>
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<img alt="Ashley Holmes" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/ashley-holmes.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Ashley Holmes, <em style="box-sizing: border-box; outline: none !important;">Double 6</em>, collaborative performance with R.I.P. Germain at former Court Room of Leeds Town Hall</div>
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Courtesy of Poor Image Projects & Index Festival. Photo: Jules Lister</div>
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<img alt="Becky Beasley" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/becky-beasley.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Becky Beasley, installation view of <em style="box-sizing: border-box; outline: none !important;">A Gentle Man</em>, 80WSE Gallery, NYU, New York</div>
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Courtesy the artist, Plan B Gallery & Francesca Minini Gallery</div>
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<img alt="Charlotte Dawson" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/charlotte-dawson.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Charlotte Dawson, <em style="box-sizing: border-box; outline: none !important;">Under-side, Under-stood</em>, 2020, MDF, Jesmonite, textured wallpaper, spray paint, printed matter</div>
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Image courtesy the artist</div>
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<img alt="David Kefford" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/david-kefford.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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David Kefford, <em style="box-sizing: border-box; outline: none !important;">Personal Artifact</em>, 2019, mixed media / plaster casts, found objects, household paint, varnish</div>
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Photo: David Kefford</div>
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<img alt="Dominique White" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/dominique-white.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Dominique White, <em style="box-sizing: border-box; outline: none !important;">Fugitive of the State(less)</em>, 2019</div>
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Courtesy VEDA Firenze and the artist. Photo: Jacopo Menzani</div>
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<img alt="Emily Hesse" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/emily-hesse.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Emily Hesse, <em style="box-sizing: border-box; outline: none !important;">The Old Wife</em>, 2019</div>
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Image courtesy the artist</div>
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<img alt="Flora Parrott" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/flora-parrott.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Flora Parrott in collaboration with writer Lindiwe Matshikiza, <em style="box-sizing: border-box; outline: none !important;">I'm In The Bath On All Fours</em></div>
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<img alt="Hetain Patel" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/hetain-patel.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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Hetain Patel, <em style="box-sizing: border-box; outline: none !important;">Plastic Dreams - Ironhide</em>, 2020, plastic Transformer figure, acrylic paint</div>
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<img alt="James Clarkson" src="http://www.henry-moore.org/images/cache/lg/press-office/hmf-press/2020/artist-award-scheme/james-clarkson.jpg" style="border: 0px; bottom: -590px; box-sizing: border-box; display: block; height: auto; left: -880px; margin: auto; max-height: 590px; max-width: 100%; outline: none !important; position: absolute; right: -880px; top: -590px; vertical-align: middle; width: auto;" /></div>
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James Clarkson, <em style="box-sizing: border-box; outline: none !important;">Drop Box</em>, 2019, laser cut formed mild steel, powder coated</div>
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“Coming out of maternity leave into a pandemic has meant little headspace for creative thinking or strategising for the future. This award helps me carve out time and space to tend to my practice or funds to work collaboratively in a time of isolation.”</div>
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Glasgow-born artist Jasleen Kaur</div>
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The artists from across the UK, including Anna Berry, Appau Jnr Boakye-Yiadom and Jasleen Kaur, were nominated from a panel of 20 prominent figures in the sector including Beth Bate, Director at Dundee Contemporary Arts; Jo Verrent, Senior Producer at Unlimited; and Zoe Whitley, Director at Chisenhale Gallery, London.</div>
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“Receiving this award from the Henry Moore Foundation’s Artist Award Scheme is something I appreciate greatly for several reasons. Not least is the financial help, desperately needed at this time. But also, being a self-taught outsider artist, to even be on the radar for something like this means a very great deal.”</div>
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Milton Keynes-based artist Anna Berry</div>
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This award will help to support artists in the continuing development of the valuable work they do, following a difficult period where many have lost work due to the cancellation and postponement of exhibitions and a halt on new commissions due to the Coronavirus pandemic. The fund is unrestricted, allowing artists the flexibility to use funds however they need to, whether that’s paying studio rent, buying materials or reimbursing the funds for work lost.</div>
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“This is an incredibly difficult moment for the arts and especially so for many artists who lost much of their income-earning work almost immediately. Sadly, we will see the impact of the pandemic on our industry for a long time to come. Henry Moore himself benefitted from an ex-serviceman’s grant after he fought in World War 1, which enabled him to study sculpture at Leeds College of Art. With this in mind, the Foundation wanted to offer timely support and give artists across the country some much-needed assistance.”</div>
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Godfrey Worsdale, Director of the Henry Moore Foundation</div>
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Moore’s appreciation of the support he received stayed with him throughout his life and was instrumental in his decision to establish his Foundation to give support back to the study and future development of the visual arts and sculpture in particular. One of the first of its kind, the Henry Moore Foundation was created by the artist and his family in 1977 to encourage public appreciation of the visual arts. Today it supports innovative sculpture projects around the world, devises an imaginative programme of exhibitions and research, and preserves the legacy of Moore himself: widely recognised as one of the great sculptors of the 20th century.</div>
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To date the Foundation has awarded grants of £35million to galleries, exhibitions and emerging artists worldwide.</div>
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<span style="box-sizing: border-box; outline: none !important;">About Henry Moore Foundation Grants</span></h2>
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Henry Moore Grants awards £500,000 annually and in doing so seeks to continue Moore's legacy by supporting sculpture across historical, modern and contemporary registers and funding research that expands the appreciation of sculpture. Applications are assessed four times during the year by the Grants Committee.</div>
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The first grant was awarded following the inaugural Henry Moore Foundation committee meeting on 26 January, 1977, when it was agreed to give £25,000 to advance the British Museum’s Egyptian sculpture gallery project. Since then the programme has supported international excellence and ambition in the field of sculpture in many ways.</div>
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<span style="box-sizing: border-box; outline: none !important;">List of Artists</span></h2>
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Aaron McPeake<br style="box-sizing: border-box; outline: none !important;" />Alberta Whittle<br style="box-sizing: border-box; outline: none !important;" />Alex Frost<br style="box-sizing: border-box; outline: none !important;" />Alexander Duncan<br style="box-sizing: border-box; outline: none !important;" />Anna Berry<br style="box-sizing: border-box; outline: none !important;" />Anne Vibeke Mou<br style="box-sizing: border-box; outline: none !important;" />Appau Jnr Boakye-Yiadom<br style="box-sizing: border-box; outline: none !important;" />Ashley Holmes<br style="box-sizing: border-box; outline: none !important;" />Becky Beasley<br style="box-sizing: border-box; outline: none !important;" />Charlotte Dawson<br style="box-sizing: border-box; outline: none !important;" />David Kefford<br style="box-sizing: border-box; outline: none !important;" />Dominique White<br style="box-sizing: border-box; outline: none !important;" />Emily Hesse<br style="box-sizing: border-box; outline: none !important;" />Flora Parrott<br style="box-sizing: border-box; outline: none !important;" />Hetain Patel<br style="box-sizing: border-box; outline: none !important;" />James Clarkson<br style="box-sizing: border-box; outline: none !important;" />Jasleen Kaur<br style="box-sizing: border-box; outline: none !important;" />Jill McKnight<br style="box-sizing: border-box; outline: none !important;" />Joanne Masding<br style="box-sizing: border-box; outline: none !important;" />Kathryn Ashill<br style="box-sizing: border-box; outline: none !important;" />Katie Schwab<br style="box-sizing: border-box; outline: none !important;" />Leo Fitzmaurice<br style="box-sizing: border-box; outline: none !important;" />Liam Fallon<br style="box-sizing: border-box; outline: none !important;" />Lilah Fowler<br style="box-sizing: border-box; outline: none !important;" />Lindsey Mendick<br style="box-sizing: border-box; outline: none !important;" />Louise Barrington<br style="box-sizing: border-box; outline: none !important;" />Madeleine Pledge<br style="box-sizing: border-box; outline: none !important;" />Nick Gordon<br style="box-sizing: border-box; outline: none !important;" />Nicola Ellis<br style="box-sizing: border-box; outline: none !important;" />Phoebe Collings-James<br style="box-sizing: border-box; outline: none !important;" />Rachal Bradley<br style="box-sizing: border-box; outline: none !important;" />Simeon Barclay<br style="box-sizing: border-box; outline: none !important;" />Stuart Whipps</div>
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and other artists who wish to remain anonymous</div>
Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-55413102254786805362020-08-03T23:37:00.001+01:002020-08-03T23:37:46.852+01:00FOOLS GOLD Individual Stabilisation Fund ACW<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelkHmDZH-M_EJZRnhMKyr1wAhOKdBBh9FjKWcKvI3Qw1v3_xTC3nD_GxxShNIXH4_t1S5R1BLkfhEZc-TKpBxlg6eyCMotkrHxn9xrQ99Ub72iXGYQW0OuE0loOAHQkVh8-U7wg3CgIA/s1600/FoolsGoldScreentest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelkHmDZH-M_EJZRnhMKyr1wAhOKdBBh9FjKWcKvI3Qw1v3_xTC3nD_GxxShNIXH4_t1S5R1BLkfhEZc-TKpBxlg6eyCMotkrHxn9xrQ99Ub72iXGYQW0OuE0loOAHQkVh8-U7wg3CgIA/s640/FoolsGoldScreentest.jpg" width="640" /></a></div>
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Delighted to announce that I have been awarded an Individual Stabilisation Fund from the Arts Council of Wales to support my next solo show 'FOOLS GOLD' at the Glynn Vivian in December 2020.</div>
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This fund has given me the support to realise the new body of artwork to its full potential. Im excited to have assembled a killer creative team to work with!</div>
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Mor ddiolchgar i dderbyn cefnogaeth o'r Gronfa Ymsefydlogi ar Gyngor Celfyddydau Cymru. Mae'r arian yn rhoi'r cyfle iddo fi ehangu, datblygu ac anelu am safon uchel yn fy ngwaith celf. Bydd y gefnogaeth arianol yma yn fynd tuag at fy mrosiect newydd, 'Fools Gold' ac yr arddangosfa unigol yn Oriel Glynn Vivian yn Rhagfyr 2020.</div>
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Diolch ACW and to all those who play the National Lottery.</div>
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Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-52345828169216919862019-11-20T22:30:00.002+00:002019-11-20T22:30:48.012+00:00The Closer We Are. PV 22/11/2019. New Performance and Installation. Swansea, UK<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQiP6fbMrzDGMGKZxd3fjOMBlw1aq3yisKmKrGDz7jn5onjX0GDi7HyU1EA1wFUv449fvtionmVO5gbPFFr1fINCqwdr_IMDZbqSD_dao1Z-AqLy8oLh-i20NvbNNBanz1YDbjmNbdUZY/s1600/peter-Finnemore-227x300.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="227" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQiP6fbMrzDGMGKZxd3fjOMBlw1aq3yisKmKrGDz7jn5onjX0GDi7HyU1EA1wFUv449fvtionmVO5gbPFFr1fINCqwdr_IMDZbqSD_dao1Z-AqLy8oLh-i20NvbNNBanz1YDbjmNbdUZY/s640/peter-Finnemore-227x300.jpeg" width="484" /></a></div>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Event Details</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Date: November 22, 2019 7:00 pm – December 28, 2019 7:00 pm</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Categories: Arddangosfeydd / Exhibitions</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Preview: Friday November 22nd, 7pm</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Artist talks Saturday 23rd November, 3pm</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Exhibition continues until 28th December</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Gallery open: Tues – Sat 12 – 7pm</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Gallery Bar open: Tues, Weds 12 – 7pm, Thurs 12 – 11pm, Friday and Saturday 12 – 1am</span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Kathryn Ashill | Stefan Bottenberg | Geraint Ross Evans | Peter Finnemore | Christine Laquet | </span></h4>
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<span style="font-family: cabin condensed, sans-serif; font-size: x-small;">Anne-Mie Melis </span><span style="font-family: "cabin condensed", sans-serif; font-size: x-small;">| Pascal Michel-Dubois | Janire Najera | Sarah Poland | Sean Vicary</span></h4>
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Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-46758078293435477642019-11-20T22:24:00.002+00:002019-11-20T22:24:29.493+00:00Radiophrenia May 2019 PRINCIPAL BOY (LOST YOUTH)<h6 style="border: 0px; caret-color: rgb(64, 64, 64); clear: both; color: #404040; font-family: Nobel, Arial, sans-serif; font-size: 32px; letter-spacing: 0.02em; line-height: 0.8143em; margin: 0px 0px 1em; outline: 0px; padding: 0px; text-transform: uppercase; vertical-align: baseline;">
KATHRYN ASHILL<br /><span style="border: 0px; color: #d3ee01; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PRINCIPAL BOY (LOST YOUTH)</span></h6>
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<img alt="" class="alignleft size-medium wp-image-364" height="300" sizes="(max-width: 300px) 100vw, 300px" src="http://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-300x300.jpg" srcset="https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-300x300.jpg 300w, https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-150x150.jpg 150w, https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-768x768.jpg 768w, https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-90x90.jpg 90w, https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt-380x380.jpg 380w, https://radiophrenia.scot/wp-content/uploads/2019/04/Kathryn-Ashill-principal-boy-2019-opt.jpg 1000w" style="display: inline; float: left; height: auto; margin: 0.5em 1.5em 1em 0px; max-width: 100%;" width="300" />Kathryn Ashill<br />Ft. Pester and Rossi</div>
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Principal Boy (Lost Youth) is a performance that laments the passing of Ashill’s youth, and the demise of the Principal Boy in pantomime.</div>
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The long-standing tradition of the Principal Boy in pantomime begun as a way to navigate strict laws in early theatre prohibiting the use of child actors and female performers. As a result women took up the role of the male protagonist in a ‘Breeches Role’. This was a rare opportunity for an actress in the 20th century to bare their legs. Although less common in the modern day panto, women still regularly take centre stage to play Peter Pan. Thigh slapping is a classic trope of the Principal Boy, the physical and sexual act of emphasising your speech or emotion through whacking your thigh.</div>
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Ashill’s work marries the imagery of pantomime, the principal boy and peter pan as a way of reclaiming space and reconnecting with her youth. She hopes to be one of the Lost Boys.</div>
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“My thigh slapping days are over…”</div>
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<a href="https://radiophrenia.scot/" target="_blank">https://radiophrenia.scot</a></div>
Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-43961377647024772542018-10-27T11:57:00.000+01:002018-10-27T11:57:32.524+01:00EDGE EFFECTS: PATTERNS OF CARE, Guest Projects, London 4/11/2018<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivG56h8CDHDAzT6y5Rd95esvTB5eTuwrdyMpMiMWs25iBSY9yG8Ry_EsKNBFPN3u_XyWLE7WP-e6pSwtt_WXMb1MWy5Dou29mDYp3u2WVtzWCYb32XShqLtbemeWa09d-a6T4KC9bJ_Uc/s1600/44773994_2478111728882261_3293091132539404288_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="745" data-original-width="1325" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivG56h8CDHDAzT6y5Rd95esvTB5eTuwrdyMpMiMWs25iBSY9yG8Ry_EsKNBFPN3u_XyWLE7WP-e6pSwtt_WXMb1MWy5Dou29mDYp3u2WVtzWCYb32XShqLtbemeWa09d-a6T4KC9bJ_Uc/s640/44773994_2478111728882261_3293091132539404288_o.jpg" width="640" /></a></div>
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Screening and peer-led discussion around interspecies strategies of care, cooperation and resistance. Curated by Olga Koroleva and Rowan Lear.<br />
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Patterns of care recur across living organisms. Caring practices tend to cross species boundaries – embodied differently by figures as diverse as the hunter-trapper, the guide dog, the researcher and the medicinal leech. Care is also often expressed through forms of captivity, such as reserves, zoos and sanatoriums. What are the contradictions of practices of recuperation and rehabilitation – into ‘the wild’ or back to work?<br />
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The event will pivot on the screening and discussion of recent moving image and in-progress projects by Kathryn Ashill, Hermione Spriggs Ermine Oh Spriggs & Laura Cooper, and Sonia Levy, which consider multispecies medicine, cultures of conservation, and care as conversation and constraint.<br />
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To be presented:<br />
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Kathryn Ashill<br />
'Working for Wellbeing: Clocking Off'<br />
(2018, ongoing)<br />
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Hermione Spriggs and Laura Cooper<br />
‘Duck’ and ‘Turkey’<br />
(2018)<br />
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Sonia Levy<br />
'For the Love of Corals'<br />
(2018, ongoing)<br />
Soundtrack by Jez Riley French<br />
Music by Georgia Rodgers<br />
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Day and Time:<br />
Sunday 4 November 2018, 2-4pm<br />
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Location:<br />
Guest Projects, Sunbury House, 1 Andrews Road, London, E8 4QL<br />
Nearest Tube: Bethnal Green<br />
Nearest Overground: Hoxton<br />
Buses: D6, 26, N26, 48, 55, N55, 106, 388, 236, 254, N253, and 394<br />
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Booking:<br />
The event is free but spaces are limited – please book a free place:<br />
https://guestli.st/586533<br />
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Access:<br />
Guest Projects is fully wheelchair accessible. The event will be seated around a central table. There will be water and refreshments available. Please get in touch if you have further access requirements.<br />
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About the series<br />
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Edge Effects is a series co-organised by The Political Animal and Wrkwrkwrk. ‘Edge effects’ is the term for the ecological impact of borders created by agriculture, mining or urban development. Some research has argued that edges create greater biodiversity and abundance; other studies suggest that edge expansion and habitat fragmentation decimates species diversity. In a series of events and discussions, we question how edge effects might be a model for thinking about artistic and planetary survival.<br />
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For this event, we are hosted by Guest Projects, as part of GHOST, curated by Mint Works.<br />
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The Political Animal is a reading and research group set up and lead by Olga Koroleva comprised of monthly reading sessions, international exchange and exhibition opportunities for artists, writers, curators, and scientists, supporting cross-disciplinary, cross-cultural examination of interspecies relations. wrkwrkwrk is a feminist study group organising peer-led discussions and collaborations concerned with new ways of thinking about technology, decoloniality and the body.<br />
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Image: Olga Koroleva, Soft Shell, still from research video shot at Tula Exotarium, 2017 - ongoingKathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-26069902001929042022018-09-27T18:36:00.003+01:002018-09-27T18:36:51.775+01:00'Goat Majorette:Part I' @ Manchester Museum<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif;"><u>Women in Nature</u></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Experience Manchester Museum like never before, be taken on an afterhours tour of our Vivarium, Living Worlds & Nature's Library and hear from amazing women working in nature. To accompany this we will have the first of our monthly musical takeovers led by MCR live https://www.mcr.live/, providing a full female DJ line up, plus creative workshops and more.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Afterhours tour, with a difference - Your guides for the evening will be a collective of fascinating women who will share their unique insights in nature. Presenting their research and new works are:</span></div>
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<span style="text-align: center;"><b>Kathryn Ashill</b></span></div>
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<span style="text-align: center;"><b>Kasha Majewski</b></span></div>
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<span style="text-align: center;"><b>Nancy Campbell </b></span></div>
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<span style="text-align: center;"><b>Rachel Webster</b></span></div>
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The tour begins at 6:30pm and will last approximately 45min – 1 hour, be sure to arrive early as places are limited.</div>
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Eventbrite</div>
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-76673960105130634142018-06-26T17:57:00.000+01:002018-06-26T17:57:11.079+01:00PAYBACK IS A MOTHER. Victoria Baths Manchester 10.06.18<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-31598767575745966892018-06-04T00:31:00.002+01:002018-06-04T00:31:40.398+01:00PAYBACK IS A MOTHER 🍳🍳🍳🍳new work 🔮🔮🔮🔮<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-31257108387284575112018-05-20T23:18:00.001+01:002018-05-20T23:18:14.619+01:00💎💎UPDATED WEBSITE (Finally!!!)💎💎<div class="separator" style="clear: both; text-align: center;">
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<br />
PLEASE CHECK OUT MY UPDATED WEBSITE- EVERYTHING IVE WORKED ON SINCE BECOMING AN MASTER OF FINE ART AND A MAMMA! 👇👇👇👇👇👇👇👇<br />
<br />
<a href="http://www.kathrynashill.com/">www.kathrynashill.com</a>Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-23551927759773047502018-05-20T23:10:00.001+01:002018-05-20T23:10:34.126+01:00Clocking Off 14.04.2018 🙌🙌🙌🙌<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwEOuawcoS0u_5MUTJODtdB0JsEUyn3kmXx20FBz3KW1tdQ3tuSbptmkC_lcdDU6Nwfk4PkHWEhZKiHZyOPiGfAnBbk_pHdrj_jqSekx5aI7qyhYVsA18gpM9FOUCaoc09SZZCdI_6K74/s1600/clocking+off+blog+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwEOuawcoS0u_5MUTJODtdB0JsEUyn3kmXx20FBz3KW1tdQ3tuSbptmkC_lcdDU6Nwfk4PkHWEhZKiHZyOPiGfAnBbk_pHdrj_jqSekx5aI7qyhYVsA18gpM9FOUCaoc09SZZCdI_6K74/s400/clocking+off+blog+2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Banners made with Guide Dogs and their humans</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQauMzDR20D4aiYYcppsTsCenX-fBq-z4MyKE1BQX0q2Jwv5_WVRIctAOqlmHWATVnTShyphenhyphen7YOiUJg3bomoVmkLTBdRffSBJaJ4qbBMAoJg1iczXdb4reYJPvqI_UAHZeOK74fmHEsNp1Q/s1600/clocking+off+blog.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQauMzDR20D4aiYYcppsTsCenX-fBq-z4MyKE1BQX0q2Jwv5_WVRIctAOqlmHWATVnTShyphenhyphen7YOiUJg3bomoVmkLTBdRffSBJaJ4qbBMAoJg1iczXdb4reYJPvqI_UAHZeOK74fmHEsNp1Q/s400/clocking+off+blog.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Me getting a cwtch from Guide Dog Uri</td></tr>
</tbody></table>
<br />
Thank you to everyone (humans and animals) who took part in 'CLOCKING OFF', a commemorative parade for retired and working guide dogs. I was over the moon with the response, the amount of people who showed up. Most importantly, this has massively contributed towards my research into the ability animals have to provide wellbeing and work alongside humans. Thanks to the amazing Siân Healey, who taught me everything I needed to know about the experience of being visually impaired and life with a Guide Dog Uri and retired GD Arnie. Many thanks to Chapter and Experimentica for always believing in me and supporting my work. DIOLCH.Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-4995733986703012572018-05-20T22:59:00.003+01:002018-05-20T22:59:43.305+01:00Housemate<div class="separator" style="clear: both; text-align: center;">
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<b><u>Performance slide show.</u></b><br />
<b><u>Duration: 15-20mins</u></b><br />
<br />
6.04.2018 The British Society for the History of Science PG conference, UoM<br />
<br />
This work is an autobiographical account of cohabiting with a variety of species as pets. '<i>Housemate' </i>is a spoken word performance that is an attempt to locate myself subjectively within the arena, and discourse surrounding the interactions between human animals and non-human animals in the domestic space. The work also delves into the therapeutic functions that animals and pets play in the everyday.<br />
Housemates was created in direct response to Bruno Latour’s call for a subjective exploration of science and the creation of a new genre- the scientific fable.<br />
The text is a combination of pop songs, which reference the love of pets and the human/animal relationship, personal history and the recalling of sounds, or the voice of my dead pets.<br />
<br />
<a href="http://www.bshs.org.uk/">http://www.bshs.org.uk/</a>Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-36262231881523106652018-03-15T16:29:00.003+00:002018-03-15T16:35:46.206+00:00Clocking Off- WE NEED YOU 👊👇👇👇👇<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVjiiT5EEPWWxK-CxCKYznZyJDZHZY8J1CQUO76xHo8B8k8k_9MAzXiUhTQQ8Nah-1EoYDC-Cl0SyQJWtLyItsV8DVbQblYK-HnI7ru7kO9M5wqk29Na42qiA3xLEg36KLeymlkaVyn7k/s1600/clocking+off+art+work+1+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVjiiT5EEPWWxK-CxCKYznZyJDZHZY8J1CQUO76xHo8B8k8k_9MAzXiUhTQQ8Nah-1EoYDC-Cl0SyQJWtLyItsV8DVbQblYK-HnI7ru7kO9M5wqk29Na42qiA3xLEg36KLeymlkaVyn7k/s640/clocking+off+art+work+1+copy.jpg" width="451" /></a></div>
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<i style="mso-bidi-font-style: normal;"><u>‘Clocking Off’<span style="mso-spacerun: yes;"> </span></u></i><u>Call for participation and<span style="mso-spacerun: yes;"> </span>participant information <o:p></o:p></u></div>
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<b style="mso-bidi-font-weight: normal;">Banner Making
Workshop & getting to know you: CHAPTER, Cardiff 7<sup>th</sup> of April 14:00<o:p></o:p></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Refreshments to be
provided for dogs and humans.<o:p></o:p></b></div>
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<b style="mso-bidi-font-weight: normal;">Parade through Bute
Park, Cardiff and gift giving: Sat<span style="mso-spacerun: yes;"> </span>14<sup>th</sup>
of April 14:00<o:p></o:p></b></div>
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<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">‘Clocking Off’ <span style="mso-spacerun: yes;"> </span></i>is a commemorative parade for all working guide dogs, devised and organised by artist and researcher Kathryn Ashill. The
aim of this work is to honour the working life of the guide dog and to
celebrate the work the dogs do for the wellbeing of humans. <o:p></o:p></div>
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The priority of this performance is to ensure the parade not
only brings joy to the people that participate, but most importantly that the
dogs can enjoy it and be active collaborators.<o:p></o:p></div>
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<br /></div>
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If this feels like something you would like to be part of, then please get in touch.</div>
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<br /></div>
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<u>Who We Need<o:p></o:p></u></div>
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<br /></div>
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Owners of any guide dogs, pets as therapy or assistance dogs who are happy to
take part and be in the filmed documentation of the parade.<o:p></o:p></div>
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<br /></div>
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<u>What we will be doing<o:p></o:p></u></div>
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<li><span style="font-family: "symbol"; text-indent: -18pt;"><span style="mso-list: Ignore;">·<span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; line-height: normal;"> </span></span></span><span style="text-indent: -18pt;">Meeting in an informal workshop setting at
Chapter Art Centre to meet participants, dogs, have refreshments and make
banners with the dogs and all participants to be carried/used at the parade.</span></li>
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<li> Creating a short parade (duration: roughly around 30 mins) to celebrate the work
that the dogs do and to give the working dog a gift. The parade
will start at the Blackweir Bridge in Bute Park and end at the stone circle in the park.</li>
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<li><span style="font-family: "symbol"; text-indent: -18pt;"><span style="mso-list: Ignore;">·<span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span></span><span style="text-indent: -18pt;">Have fun together and celebrate</span></li>
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Contact:<o:p></o:p></div>
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Kathryn Ashill<o:p></o:p></div>
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info@kathrynashill.com</div>
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</style>Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-72326921124984682942018-02-28T22:46:00.000+00:002018-02-28T22:46:59.018+00:00EXPERIMENTICA 2018: ABOUT TIME<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-58153266165269799312017-10-22T22:27:00.003+01:002017-10-22T22:27:47.517+01:00SOOTHING SUCK 2017<div class="separator" style="clear: both; text-align: center;">
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SOOTHING SUCK (commissioned by MLitt Curatorial Practice as part of IN/HUMAN, a collaboration with the Hunterian.)<br />
Many thanks to my son, husband and father for being willing participants.<br />
Photograph's by Alan Dimmick.<br />
<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-69998510986483530982017-10-22T21:54:00.003+01:002017-10-22T21:54:19.454+01:00IN/HUMAN: THE BODY AS RESOURCE. 11.3.2017<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-74873540273688798962016-11-23T23:53:00.002+00:002016-11-23T23:53:44.902+00:00Golden Shower. Hairdryer+Lametta= Pissing Peasant. Talbot Rice Gallery 5.11.2016<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-56484502235097423722016-10-15T22:11:00.002+01:002016-10-15T22:15:30.417+01:00GOLDEN SHOWER. New Performance. 5.11.2016<div class="separator" style="clear: both; text-align: center;">
Remember Remember the 5th of November when I will make a new performance for artist Rob Kennedy's exhibition at Talbot Rice Gallery. On the hour, every hour between 12pm-5pm.</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFgNUEbc4cH9-y4fZKdj6jcjXNaIuboYll7HRG8BV5IA_Pe7E4erreZlbMDxc-gZVWZ2PI1qwVyiPCQ6DI1NtYTGh-BKCUJ4-rIn6SiqPP7PQ78ciWm-rlnMNAsA5YPSuvMsV1mqwS5cg/s1600/rob_wedsite_image_0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFgNUEbc4cH9-y4fZKdj6jcjXNaIuboYll7HRG8BV5IA_Pe7E4erreZlbMDxc-gZVWZ2PI1qwVyiPCQ6DI1NtYTGh-BKCUJ4-rIn6SiqPP7PQ78ciWm-rlnMNAsA5YPSuvMsV1mqwS5cg/s400/rob_wedsite_image_0.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #526973; font-family: "source sans pro" , sans-serif;"><span style="font-size: x-small;">Rob Kennedy (2016) with David Teniers [II] Peasants Playing Bowls, circa 1635.</span></span></td></tr>
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-8275033637680222192016-10-15T21:52:00.001+01:002016-10-15T21:52:19.771+01:00SOFT, STRONG & LONG. Collaboration with Pester & Rossi. The Suttie Arts Space. September 2016.<div class="separator" style="clear: both; text-align: center;">
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Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-14011752592738824182016-10-15T19:24:00.001+01:002016-10-15T22:19:49.996+01:00FOOTE & MOUTH. There's a Special Place... Review. APRIL 2016<br />
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<a href="https://gsaexhibitions.wordpress.com/2016/06/14/review-theres-a-special-place-in-shell-foote-mouth/" target="_blank">https://gsaexhibitions.wordpress.com/2016/06/14/review-theres-a-special-place-in-shell-foote-mouth/</a>Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-18340993685310807532016-10-15T19:22:00.000+01:002016-10-15T19:22:11.147+01:00There's a Special Place in Shell 27.04.2016<div class="separator" style="clear: both; text-align: center;">
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<strong style="border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">There’s a Special Place in Shell…</strong></div>
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<strong style="border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">27 April 2016, 7pm</strong><br /><strong style="border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Reid Auditorium, Reid Building, The Glasgow School of Art</strong></div>
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<em style="border: 0px; font-family: inherit; font-size: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">There’s a Special Place in Shell…</em> is a new performance by Foote & Mouth that explores the role of the Banshee and the Siren. By focusing on these characters, the work creates a dialogue between two folkloric female archetypes and the degradation of women through patriarchal mythologies. These themes are pursued through animation, text, song, costume, and comedy. The Banshee and the Siren glean their sense of agency from three overlapping features: voice, water, and death.</div>
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Foote & Mouth is a performative duo between Kathryn Ashill and Monica Foote. Their mutual interest in props, theatricality, and spectacle has brought them together.</div>
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Amateur dramatics, theatre flats, stage lighting, public monuments and performance are central to Ashill’s practice. Kathryn aims to pursue the theatricality in the everyday whilst sharing her observations on autobiography, people, history and site. There is a strong participatory spirit within the live performances Ashill creates. Within her practice, Monica Foote plays the role of animator, performer, and choreographer. In compartmentalising the roles of the artist, Foote’s practice effaces the notion of the homogenous individual, which is in line with her broader interest in the spiritual, cultural, and folkloric codes that people use to escape the limitations of the self. </div>
Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-49353958090347606132016-10-15T18:39:00.000+01:002017-06-16T23:57:06.661+01:00International Women's Day 2016<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: "georgia" , "utopia" , "palatino linotype" , "palatino" , serif; font-size: 12px; line-height: 17px;">Cyborg Baby. Hearing test.</span><br />
<br style="font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 12px; line-height: 17px;" />
<span style="background-color: white; font-family: "georgia" , "utopia" , "palatino linotype" , "palatino" , serif; font-size: 12px; line-height: 17px;">This International Women's Day was a poignant one for me as I walked in the footsteps of many great women before me and gave birth. My son was born on this momentous day. This marks a huge milestone for me both personally and artistically. The following posts are updates for the artistic developments in my practice during 2016. I have been busy both with art and motherhood!</span></div>
Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-71727642624631373442016-10-15T18:37:00.002+01:002016-10-15T18:37:18.829+01:00AMBUSH. Hospitalfield's FIELDWORK 2015.<div class="separator" style="clear: both; text-align: center;">
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http://hospitalfield.org.uk/whats-on/events/fieldwork-2015/</div>
<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-495419475110127892015-11-17T15:57:00.001+00:002016-10-15T22:30:43.901+01:00Gold Panning. Market Gallery, Glasgow. 21/11/2015. 7PM<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0tag:blogger.com,1999:blog-8779611384869751093.post-29633974618516828042015-06-09T00:46:00.001+01:002015-06-09T00:46:06.348+01:00Poster Boy. MFA Degree show 2015<div class="separator" style="clear: both; text-align: center;">
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<br />Kathrynhttp://www.blogger.com/profile/04869489244085063894noreply@blogger.com0